Coastal Birds In Gray Light

Weather forecasters! Who can trust them? The day called for a few clouds in the sky but the sun was supposed to be visible. I eagerly drove to the coast hoping to photograph ducks and other shorebirds in the warm early morning light. To my dismay, the Laguna Madre was covered in a vail of fog and the sky looked as dark as I’ve ever seen it. At 7:15 there was no sunrise. In fact, the sun didn’t peak from behind the clouds until 8:45 and that lasted only a couple of minutes. No mr. weatherman, there would be no warm light on my morning shoot but I was still in the field and I needed to make the most of the opportunity.

The ducks were plentiful but in that dreary gray light, they looked quite dull and uninteresting. I tried adding fill flash but I had not charged my batteries the night before so the use of a flash did not last long (lesson to self for next time). I added a stop of light to all my exposures to try and bring out some of the detail in the feathers, but dull light is dull light. I needed some type of action or interesting behavior.

To my good fortune, I had a reddish egret that was dancing around the shoreline fishing for its breakfast. I also had other herons fishing the shoreline so I tried to get them with fish or shrimp in their beaks. To overcome the dreary light, I would need something visually interesting occurring in the photograph. The images below are just a few examples of what I was able to come up with.

The heron and egret were photographed from the deck at the South Padre Island World Birding Center so the images could have been vastly improved if I had been at eye level with the subjects; but, I had intended on shooting ducks in flight from the deck so I had no waders with me. I am currently working on a float blind so on future outings I hope to shoot from water level. The Osprey were photographed at Laguna Atascosa NWR.  I hope you enjoy these images.

Until next time…keep shooting. –KEVIN

Reddish Egret.  Canon 7D | 500mm | ISO640 | +1 Exposure Compensation

Reddish Egret. Canon 7D | 500mm | ISO640 | +1 Exposure Compensation

Reddish Egret.  Canon 7D | 500mm | ISO640 | +1 Exposure Compensation

Reddish Egret. Canon 7D | 500mm | ISO640 | +1 Exposure Compensation

Reddish Egret.  Canon 7D | 500mm | ISO640 | +1 Exposure Compensation

Reddish Egret. Canon 7D | 500mm | ISO640 | +1 Exposure Compensation

Tri-colored Heron.  Canon 7D | 500mm | ISO640 | +1 Exposure Compensation

Tri-colored Heron. Canon 7D | 500mm | ISO640 | +1 Exposure Compensation

Belted Kingfisher. Canon 7D | 500mm | ISO 640 | +1Exposure Compensation

Belted Kingfisher. Canon 7D | 500mm | ISO 640 | +1Exposure Compensation

Osprey.  Canon 7D | 500mm | ISO640 | +1 Exposure Compensation

Osprey. Canon 7D | 500mm | ISO640 | +1 Exposure Compensation

Osprey.  Canon 7D | 500mm | ISO640 | +1 Exposure Compensation

Osprey. Canon 7D | 500mm | ISO640 | +1 Exposure Compensation

Osprey.  Canon 7D | 500mm | ISO640 | +1 Exposure Compensation

Osprey. Canon 7D | 500mm | ISO640 | +1 Exposure Compensation

Osprey.  Canon 7D | 500mm | ISO640

Osprey. Canon 7D | 500mm | ISO640

ImageSpotlight: Osprey

A few weeks ago I posted a series of Osprey images. Yesterday I took a drive to see if I could find them again. The day was dreary and gray and the light was quite dull but I was out in the field anyway. I found the Osprey in the same general area and this time, tried to position myself so that I could get more flight images. I waited a long time for this Osprey to stop eating and fly away but when it did, I was able to capture the image in today’s spotlight.

Until next time….KEVIN

Osprey. Canon 7D | ISO640 | f6.3 | 1/1250 | +1 exposure compensation

Osprey. Canon 7D | ISO640 | f6.3 | 1/1250 | +1 exposure compensation

If I could only have one, would it be: Canon 7D or Canon 1DsMkII?

Canon-7D Vs 1DsMkII

Some of you have noticed that I’ve been posting a lot of images taken with the Canon 7D, which I recently acquired. This has prompted questions asking me whether I prefer that camera over the full framed 1DsMkII. In some respects, yes I do. However, in other respects, no I do not. Don’t you just hate answers like that? Well, let me just list a few important features that I look for in a camera and then give you my impressions on how each model performs with respect to that feature. At the end, I’ll tell you which camera I would choose if I could only keep one.

Autofocus: I have a fairly eclectic portfolio and while I may be in manual focus when shooting macro, I need a reliable autofocus system when shooting birds, mammals, and action sports. The 45-point autofocus system of the 1DsMkII has always been spot on and reliable. With the fiasco that occurred in the 1DMkIII, I wasn’t about to “upgrade” to a camera with spotty autofocus. When it comes to autofocus reliability, I simply have no doubts about the 1DsMkII. It’s fast, accurate, and I can easily select an individual point whenever I need to. So what about the 7D? Well, I trust it too. I’m real impressed with it’s 19-point focus system. I’d say the 1DsMkII has a slightly snappier acquisition, but the 7D is not far behind, if it’s behind at all. What I like most about the 7D’s autofocus is the ability to memorize focus points or zones in either horizontal or vertical format. Now that I am comfortable with the camera, I can easily select an individual point or zone. The 7D can really pinpoint an area for fine-tuning though I have not used that feature yet. The Verdict? As for accuracy, it’s a close call but I’ll give the slight edge to the 1DsMkII. I was tempted though, to call it a draw and I will simply add that I really am impressed with the 7D.

Frame Rate.  If I am shooting portraits or landscapes, then this is a non-issue. However, when shooting action, more is better so the nod here goes to the 7D which fires 8 frames per second compared to the 1DsMkII’s 4 frames.

High ISO. Coming from film, it’s still hard to fathom the capability of today’s digital cameras and the ability to reduce noise (grain to you old film shooters) when shooting at high ISO’s. I remember thinking ISO 200 film was fast. I still prefer to use a lower ISO when possible, but when shooting wildlife in low light settings, bumping up the ISO is often necessary. Of course, this introduces more noise so how far you can go depends on the cameras ability to reduce it. I feel comfortable at ISO 800 on the 7D and perhaps as high as 1000. However, at 1600 ISO, the images just are not useable to me because of the amount of noise. The 1DsMkII images at ISO 1600 are useable though I prefer to keep it at 800 if I have to bump it up. Still, if the need arose, I would have no reservations using it at ISO 1600. Thus, at higher ISO, the nod here goes to the 1DsMkII. Between 100-400, it’s a draw.

Build Quality. The 1DsMkII is a professional workhorse and it’s build is simply superb. I love the way it feels in my hands. The 7D, while not quite the same build, is still very solid. I added the vertical grip and it’s just slightly bulkier than I like though that is a minor complaint. The 1DsMkII is built for the rugged environment so as far as build quality is concerned, the 1DsMkII is the winner.

LCD Screen. This is no contest. My only one real complaint about the 1DsMkII is the small viewing screen. It serves its purpose, but I don’t like its small size. The 7D has a large and vibrant screen and I really enjoy viewing images on it. So, the 7D wins here.

Megapixels.  OK, this is admittingly an over-marketed feature by manufacturers. Early on, we consumers decided that more megapixels was better than less. I recall using my old 8-megapixel professional 1DMkII camera and people using 12-megapixel point and shoots being very unimpressed when I told them mine had 8. It’s as if they believed their cameras were better than that big pro body I was holding. Anyway, my 7D has 18-megapixels and the 1DsMkII has 16mp. Honestly, I’d be much happier if the 7D were a 12 or 14 mp camera because that would equate to less noise at the higher ISOs. So what’s the verdict? As far as I’m concerned, I’ll call this feature a draw.

Sensor.  This is related to the megapixel feature above. The 7D is a crop factor camera, meaning that it has a 1.6 multiplier effect on all focal lengths. Cramming so many pixels on a crop factor body comes at the expense of noise at high ISO’s but it does leave room for cropping when necessary. So for focal length reach, the 7D is the winner. I’m also a fan of its dust cleaning capabilities. The big sensor of the 1DsMkII has no crop factor and thus, can handle noise better even though it’s an older model camera. Without the crop factor, my wide angle lenses are truly wide angle. Thus, for landscapes and other wide angle uses, the 1DsMkII is the winner.

Image Quality. This is the bottom line feature that matters most to me obviously. So forgetting all the hoopla, which camera produces the best quality images? I’m quite impressed with the 7D image quality, particularly in the range of ISO 100-400. However, the images produced by the older 1DsMkII, with its large full framed sensor, are simply better. Not necessarily by a huge margin, but the files are cleaner. In light of this, some of you may wonder why I have been using the 7D so much. Well, I recently acquired the camera and thus, I’ve been using it a lot so that I can get acquainted with its capabilities. I’ve been quite pleased and impressed. Also, I keep my 500mm tripod mounted on the 1DsMkII, while carrying the 7D and 70-200/2.8 on my shoulder for images that are too close for the 500mm. Ultimately, I give the nod on image quality to the 1DsMkII files, but the 7D’s image quality is still quite impressive.

Other Features. The 7D, with its newer technology, gets the nod on several features that are not the most important to me right now but will likely become more of an issue in time. The 7D records movies. This will be important to me someday but right now, I’m most interested in still captures. Finally, the 7D has a on camera flash that has the capability of acting as a master to fire off camera flashes. That feature is important and I will be testing it in the near future.

So which would I chose?

There are other features that I consider from a functional perspective but each model is equipped with these so I won’t list them here. What you most likely want to know at this point is which camera I would keep if I could only keep one. While it’s obvious that both are capable cameras and each has some features that are better than the other, if I could only chose one, it all comes down to image quality. So with that, I would keep the 1DsMkII. That may puzzle those of you who know I have put it up for sale in the past. I actually had a buyer for it once but the idea of parting with it and the reality of parting with it were two different things so I ended up not selling it. In time I will again list this camera for sale because I want to upgrade to the new full frame 5DMkIII. For now though, it is my camera of choice and the mega prints that it produces are outstanding.

So there you go, answers to why I’m using one camera or another. Want to know the best part? I do NOT have to choose just one camera. I have two so my choice now really comes down to what I am shooting on any given photo excursion. If I’m after action, or if I’ll need additional focal length, I’ll reach for the 7D. When I shoot landscapes and portraits (people, birds or mammals) or if I need wide angles, the 1DsMkII is my go to camera. I have two highly reliable cameras that deliver outstanding quality.

Let me know if you have any questions. Until next time, keep shooting. — KEVIN

Brush Country Bruisers

During the fall/winter months, the one subject I’m after most is the whitetail deer. I’ll capitalize on other opportunities when they present themselves but my passion for photography began years ago with a desire to hunt big whitetail with my camera. While I’ve become passionate about photographing a wider range of subjects, I love nothing more than to put on my camouflage and roam the brush country as soon as those cold winds begin to blow.

The rut is in full swing and I am seeing very few of the familiar bucks that I was photographing earlier in November. I still see a couple of the regular guys but I’m seeing new bucks that have ventured into the area in search of does in their estrus cycle. That’s a good thing! Here is a small compilation of bucks from recent outings in December.

Enjoy and have a Merry Christmas. — KEVIN


Rubbing a young mesquite tree. Canon 7D | 70-200/2.8 + 1.4x converter | ISO 400


Canon 1DsMkII | 500/4.5 | ISO 400


Canon 7D | 70-200/2.8 + 1.4x converter | ISO 400


Pre-Sunrise Buck. Canon 7D | 70-200/2.8 | ISO 800


This is one of those bucks I’ve never seen in the area but he sure is a good lucking buck. Love the very long tines and tall rack. Canon 1DsMkII | 500/4.5 | ISO 200


This must be the dominant buck in the area as he’s the only regular trophy that has not disappeared. Guess the does belong to him. Canon 1DsMkII | 500/4.5 | ISO 200

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Another new buck. He’s a beauty. Canon 1DsMkII | 500/4.5 | ISO 200


Canon 7D | 70-200/2.8 | ISO 800

Scenting a nearby doe. Canon 7D | 70-200/2.8 + 1.4x | ISO 400

Scenting a nearby doe. Canon 7D | 70-200/2.8 + 1.4x | ISO 400

ImageSpotlight: Whitetail

A few weeks ago I went out to photograph whitetail and I’m still going through those images so I thought I’d share this one. I really liked the pose/stance, alert ears, and head turn. The hint of flowers, though most are spent, is just enough to give a small splash of color for visual interest. With his thick neck, he was primed and ready for the rut, which is now in full swing. I sure hope he survives the deer season.

Until next time, keep shooting. — KEVIN

Whitetail. Canon 7D | 70-200/2.8 | ISO800 | f8

Whitetail. Canon 7D | 70-200/2.8 + 1.4x @ 250mm | ISO800 | f8

ImageSpotlight: Rio Grande Wild Turkey

I’ve been busy with other duties over the past few weeks and it feels like months since I’ve gone out with my camera. This morning I went back to one of my favorite whitetail spots but my normally dependable bucks were nowhere to be found. The rut is on here in South Texas and those bucks are roaming the brush country looking for love. But, this post is about the Rio Grande Wild Turkey, not whitetail. I have very few turkey images so I’ll take any opportunity when it comes my way.

My morning had been rather slow and as I was sitting in one area contemplating my next move, I caught the faint chuckle of turkey at a distance. The chuckles kept getting nearer so I stayed put. A few minutes later, four Toms came out of the brush and into a more open area. I fired some shots and hoped they would start displaying but they were just passing through.

Seeing the turkey was a nice surprise and although I did not see any displays, I added a few nice images to my portfolio so all in all, it was a productive morning, albeit a very drab one.

Until next time, get outdoors and keep shooting. — KEVIN

Click on image for better view.

Rio Grande Wild Turkey.  Canon 1DsMkII | 500mm | f5.6 | ISO400

Rio Grande Wild Turkey. Canon 1DsMkII | 500mm | f5.6 | ISO400